In order to catch up with the rest of the world. I watched the first season of Happy Valley.
I'm pleased to report it was excellent in all regards.
It felt like an up-to-date version of Juliet Bravo.
The acting was actually very good.
The casting was actually correct and not a box ticking exercise.
And it was all there on the page.
When something should have happened in the story is actually take as though somebody had actually thought about it.
They had a great Doctor Who and Sherlock director to kick it off
Did it break new ground ? No.
Did deserve the praise? Yes.
The real question is why so many dramas don't do the basics right like Happy Valley Season One did.
But I tried to watch this program five years ago.
And turned off
Because it did one thing absolutely dreadfully
One of the most well-respected shows in recent television history has the very worst theme tune.
But watching it on BBC iPlayer means you can skip through that with one click.
Clearly somebody thought it was bold and brave or different.
But in fact it was a ridiculous choice, incongruous, grating, annoying, irrelevant. An abstract theme of what sounded like Americana hillbilly making a bland abstract unuseful comment on what you're about to see.
Because theme tunes are important.
I lived through the heyday of great theme tunes.
Mike Post in the 1980s the A-Team, Quantum L eap, Hardcastle and McCormick.
Themes that made your blood pump.
Drew you in.
They were a call to action.
Everybody remembers Lee Majors and the $6 million man and his theme tune. Everybody danced along in slow motion to it at school. I'm currently organising a subscription only workout based on it to take down the Tai Chi crowd.
I was lucky enough to have a chat with him a couple of years ago but we only spoke about his work in Thunderbirds - another great theme tune.
His follow-up series was as a stuntman - The Fall Guy. Not just any stuntman of course. The Unknown and Stuntmam
Because this series wasn't sold on the premise of stuntman solving crimes. It was sold and bought on the theme tune alone.
The writer of the song played the song on the guitar in the audition room . The late Glen Larson pitched the show based around the title of the song - The Unknown Stuntman. The show was commissioned on the back of the quality of the song and then successfully produced worldwide for the next five years.
Themes are important.
They can sell a show on their own and sometimes they are all a show has left.
That primal call to action, is an activation of anticipation and loyalty, but also of memories that previous hearings invoked.
Only hard-core fans of Champion the Wonder Horse would doubt that the greatest theme tune history of television belongs to Doctor Who.
But alas three agonising years, the only reason anybody would sit through an episode was knowing a reward was waiting -after 42 min of being slapped around the face min you get to hear the theme tune again, and you can start to put the whole hideous experience behind you.
The theme is important - a call to action, yes but also their memory of better times, hope everything will be right in the future. Themes survive the darkness.
When you look at how Doctor Who survived this darkness, you can find the answer by drumming four fingers on the table. Repeat ad infinitum.
I will even loan you some lyrics. This too will pass.
I've only ever had three ringtones - three television themes.
The Tomorrow People
The Invisible Man 1970s (David McCallum version)
and Sherlock
That must tell a story.
I've only ever had three ringtones - three television themes.
The Tomorrow People
The Invisible Man 1970s (David McCallum version)
and Sherlock
That must tell a story.
